中文名: 照相機立體動畫成像原理教程
英文名: Gnomon Stereoscopic Camera Fundamentals Maya and Lightwave
別名: Gnomon 照相機立體動畫成像原理教程
資源格式: 壓縮包
學校: Gnomon workshop
主講人: Aristomenis (Meni) Tsirbas
發行日期: 2010年
地區: 美國
對白語言: 英語
文字語言: 英文
簡介:

軟件簡介：
http://img07.taobaocdn.com/imgextra/i7/54248937/T2Yn4hXadXXXXXXXXX_!!54248937.jpg
GNOMON教程，每每給我們於激情與期待！讓我們在CG設計路上不再獨行！讓我們共同期待！讓我們共同期待與業界CG頂尖設計師的面對面！少玩多花些時間多學習學習，讓我們的商業作品與眾不同！ Gnomon的教程向來以其前沿的技術和清晰的視頻質量而受到廣大用戶的青睐.
The Gnomon Workshop Stereoscopic Camera Fundamentals Maya and Lightwave Setup with Aristomenis Tsirbas這是好萊塢藝術學院專業發布的最新照相機立體動畫成像原理教程,揭示了創造適當的動畫立體圖像的基本要素。教程內容涵蓋了三維原則，包括近及遠的分歧，屏幕平面的轉換，運用相機工作。創建最終渲染，通過展示如何完成他的演講顯示立體動畫序列。這是一項全面而簡單的理解講座，藝術家能讓所有需要的工具來產生特殊的立體圖像。
教程所使用的軟件：Maya , Lightwave, After Effects三軟件結合
In this DVD, director Aristomenis (Meni) Tsirbas reveals the essentials for creating properly animated stereoscopic imagery. Although Maya and LightWave are used, the course is platform agnostic and can be used with any animation software, even if it doesn't have stereoscopic tools. Meni guides you through a comprehensive overview of all the major principles of stereo filmmaking. Meni begins with a biological discussion of how the human eye perceives stereo imagery, and then covers the principles of 3D, including near and far divergence, the conversion at the screen plane, and working with camera movement. After creating a final render, he completes the lecture by showing how to display animated stereo sequences. This is a comprehensive yet simple to understand lecture that gives artists all the tools needed to generate exceptional stereoscopic imagery.
教程相關主題：
The biology of the human eye and its limits
Maximum divergence of near and far objects
Convergence and the screen plane
Converting 2D CGI to true 3D
3D do's and don'ts
Maya's stereo tools
Final output and display
作者相關介紹：
Aristomenis (Meni) Tsirbas has been directing for film and TV for over ten years and has fifteen years experience as a visual effects supervisor and digital artist. His professional career started in 1996, working as a digital artist on James Cameron's Titanic and national advertising spots for Nike, 7UP and Coca-Cola. As a visual effects supervisor Meni worked on Miramax's A Wrinkle in Time, Disney's My Favorite Martian and Paramount's Star Trek: Deep Space Nine. Between 2000 and 2003 Tsirbas wrote and directed a string of highly successful animated short films including SIGGRAPH's Ray Tracey in Full Tilt, Microsoft's Mech Warrior: Vengeance, Terra, and the acclaimed The Freak. In 2004 Tsirbas worked on two back-to-back music videos, including Tears For Fears' Closest Thing To Heaven, before setting off to direct his first feature film, Battle for Terra.